INDIAN NATIONAL ORCHESTRA

I am writing this to share with you the joy of starting something new and exciting called the Indian National Orchestra for the first time in India.
Indian music is known world wide for its sophistication in expression, its melodic subtlety and the freedom of improvisation within the scientific boundaries of grammar.
Several Indian musicians have reached international acclaim and have become a musical sensation in the past and the present.
It is surprising though, that in spite of all of this, there is no comprehensive team called THE INDIAN NATIONAL ORCHESTRA consisting of performing musicians in their prime both from North and South India who can jointly perform Indian Music together and represent India in a national or international event.
This initiative of mine the INO (Indian National Orchestra) has been formed in the year 2011 with the continued ideas and enthusiasm of my friend Girishh Gopalakrishnan, a gen X music director to give its very first performance in Chennai on the 25th of June 2011 at the Sri Krishna Gana Sabha. This will be followed by subsequent performances of the INO in all the major cities of India and abroad.
The INO 2011 will consist of extraordinary talents from pan India covering both North Indian and South Indian classical music forms. This combined collaboration would present what can be called as SHASTRIYA SANGEETH, which is both Carnatic and Hindustani music, but with a contemporary feel. Hence the music presented by INO will truly reflect India, as it is today---diverse in texture and variety, but united in spirit and purpose!
It brings together about 22 artists from both North and South Indian classical music on a common platform. The INO would try and showcase the best of Indian music at national and international level and also seek to acheive unity among Indians through music.

Who is part of INO?
22 artists, 15 different instruments/talents, but one common purpose!
Listed below are the Artistes of INO 2011 (In no particular order):
Veena – Dr. Jayanthi Kumaresh
Voice – Abhishek Raghuram
Arrangement – Girishh Gopalakrishnan
Violin – Akkarai Subbulakshmi
Akkarai Sornalatha
Charulatha Ramanujam
Flute – Sikkil Mala Chandrasekhar
Naveen Iyer
Sarangi – Murad Ali
Sitar – Rafeeq Khan
Shafeeq Khan
Nadaswaram – Sri Lakshman and group
Thavil - Raja
Mridangam – Patri Satish Kumar
Neyveli Narayanan
Ghatam – Dr.S.Kathick
Kanjeera – Guruprasanna
Tabla – Uday Raj karpoor
Special percussion – Pramath Kiran
Veena artists – Ambarish Amaravadi and Ramya Raghavan

Who Cares!!

Meandering through a psychedelic maze
with actions, words and thoughts all in a haze
i try to cling on to a bubble so transient
which crumbles anyway even as time is resilient

“It isn't my thing” my mind sneers
“who cares”, my heart says amidst jeers...
the sun sets and the moon rises,
the moon sets and the sun rises....

who cares, who cares, it is all a Mirage in a mystic Pace

You judge and you are judged,
You try and you are tried,
Voices far away making no sense in its pretence
does it matter ? this wasteful banter?

Who cares? Who cares? It is all a mirage in a mystic pace

I realise I am breathing and yes, it is real,
I clutch this very moment and yes, it is real,
I free myself from the past and future somehow,
I then realize the real power of NOW...

But who cares, who cares, we are all planning for a psychedelic future....

Mother, Oh Mother!!

Mother, Oh Mother!!

Mother, I am so blessed to see thee in every place I go to,
Though moments I spend with you may be really few,
You take myriad forms and manifest in many ways,
you are beyond a sheer biological link as a link to any race.

I see you in the warmth of my hostess in every country I visit,
I see you in the caring gestures of my friends wherever I travel,
I see you in the eyes of my well wishers that fills up with pride
I see you in the undeserved praise that my fans shower on me

Mother, Oh Mother, you are an emotion, a sentiment, a feeling,
Mother, Oh Mother, you are the warmth given by just anybody in the world,
Mother my dear Mother, you are the care that even a stranger shows on me,
Mother, you are synonymous with the concern that anyone showers on me.

I see you in the God I pray to,
I see you in the good deeds I do,
I see you beyond a physical form
I see you in my heart's calm

Mother is a concept, a way of life, a meaning to love,
A reason to love, a reason to care for your fellow beings,
Mother is more than just one relationship, it is being unselfish,
Mother is a reason to be a better person.........to be human...

Finger tips

FINGER TIPS

Learning, practicing and performing a fine art is a great way to increase physical and mental wellbeing. This has been proved periodically by several people in the medical field.
Communication is a key part of what makes performing arts a success, whether it’s the actor or musician communicating with the audience, the director communicating with the actor or the choreographer communicating with the dancer - their jobs will only work together successfully if everyone communicates and cooperates. Therefore, involvement in the performing arts will improve and develop your interpersonal skills.
There is evidence to suggest that involvement in Music, Dance and Drama can improve the concentration levels in other subjects, as well as adding a new depth of knowledge and understanding to other subject areas. There are also spiritual and psychological benefits, as the performing arts encourage self-discipline, self-expression, calmness and fulfillment.
There are several perspectives to this. On a social level, learning, practicing a fine art sharpens our sensitivities to more subtle issues, emotions and expressions. It gives a sense of belonging to a particular culture, a sense of identity and a sense of evolution from merely existing to earn and spend.

Indian classical music for instance gives us enrichment on several areas. To start with, the yogic posture of Padmasana is practiced while learning or performing. It is directly related to our confidence level and state of mind at any given time.

The practice of aligning one’s voice or instrument to a particular Sruthi or pitch makes us focus on something stressless and enriching. This makes us to stay in tune with a particular frequency that indirectly improves our alignment faculty.

Remembering the grammar of a certain raga and its structure enables a certain method in creativity that leads to organized thought. Art is not random creativity but artistically organized expression of creative thoughts.

Next, on the psychological level, Indian music soothes the senses and connects one to the Within. The spiritual anchor it provides crosses the boundaries of region or religion.

The Tala or the rhythm provides the track for the music to manifest in a very systematic way. While the singer is showing the counts of the beats of the tala in a certain measured metric method, it becomes a motor activity that slowly becomes independent of conscious thought and happens automatically.

This entire process unconsciously increases the bandwidth of the brain wherein the creativity happens on one side, the adherence to the grammar and sruthi happens on the other side, the motor activity of the tala keeps happening and the posture exudes confidence and clear thought. We may even call the entire process a Psychosomatic Motor activity.

Psychosomatic medicine is an interdisciplinary medical field studying the relationships of social, psychological, and behavioral factors on bodily processes and well-being in humans and animals. Indian music is said to improve the intellectual capacity of children and increase their ability to multi task efficiently.

In concurrence with the same thought, playing the Veena or any such instrument activates the tip of the fingers that indirectly activates the nerve endings that are acupressure points. So, apart from all the positive aspects mentioned earlier, playing a music instrument certainly gives a sense of achievement, relieves stress, disciplines, improves team work, communicates emotions and adds sheen to the entire personality.

With the Margazhi Music festival rocking Chennai, it is perhaps a good time to cultivate or renew interest in the Fine arts.

SHRI RAGAM - STORY IN CONCERT

Just wanted to inform you about a very special program called SHRI RAGAM - STORY IN CONCERT on the 19th of Dec 2010 at 4.30pm in Krishna Gana Sabha, T.Nagar. This is probably the first time something like this is being presented. A story of a musician, well reputed and well established interwoven with the story of a young musician is told with layers of music and narration in a lucid language (both Tamil and English) .

Many aspects of Carnatic and Hindustani Music are highlighted with vivid explanations and examples. What goes in into the training of a Master musician, practise techniques, music and spirituality, the qualifying period for a musician...several such concepts are interwoven into the fabric of the story!!

The Programme features:-

Dr.Jayanthi Kumaresh - Concept, Script, Narration and Veena

Abhishek Raghuram - Carnatic Vocal

M.D.Pallavi - Narration and Hindustani Vocal

Pramath Kiran - Percussion (Tabla and Morsing)

Anand Ananthakrishnan - Mridangam


Come and enjoy...
Hope to see you..

Ash cloud

I had the 'good fortune' of being in the UK during the ash cloud megavaganza..why not... where there is action in the world..there you will find me with my Veena strumming away to glory. I reached UK for my COLOURS OF VEENA tour. My Mridangam artiste was awaiting his Visa from the UK consulate and was scheduled to arrive a couple of days after my departure. And well, that never happened because the UK consulate closed for a week for their easter break and when they re opened, the volcano in ice land had other plans for me. I was destined to play that tour with a rare Veena Tabla combo and that I did. Much to my pleasant surprise, the sync was so good that the concerts were a huge success.
Then came the last hill to climb..will the ash cloud disperse when i wanted to go back home after the tour? well, you will have to wait for six months , said one. Maybe a couple of months, said another. Maybe , a year said some. I thought, Gosh, what did i get myself into...Have you seen the film "Athithi tum kub jaogi"...I thought my story would become like that.
But god was on my side and the ash cloud cleared up for about a week and I reached home safe and sound. from Ash to blue skies...

Travails of a traveling musician

Friends have been asking me to update my blog periodically. I thought that instead of writing something that you all already know, i will write about the travails of a traveling musician. In my 24 years of traveling, there has not been one dull moment. Taking the Veena from one room to another itself offers innumerable opportunities for the person carrying it to slip somewhere..Imagine traveling all over the globe with it in cars, trains, buses, planes, vans, conveyer belts,escalators and what not!!

Early this week, I finished my concert in Mysore and was driving back to Bangalore late at night. We were traveling by a Getz car-Diesel CRDI engine..the drive was smooth and the weather was awesome...sleep tempted our eyelids as we approached the city of chennapatna which is almost midway between Mysore and Bangalore. We were running out of diesel and so the driver pulled into a Petrol bunk. In the sleepy state that everyone was in, none noticed that it was PETROL that was being filled into the gas tank.
Very content after filling the tank, we drove on in the highway with GNB's stimulating voice coloring the background.

In 2 mins the car jerked to a halt right in the middle of the highway with all heavy duty vehicles zooming past in full speed.It was a little past midnight and I was in my concert attire with the Veena on my lap!! As we were still figuring out why the car had stopped, my husband took control of the situation and called HYUNDAI service station and they were so efficient that they said that they will send a vehicle for help asap. Meanwhile we waved at quite a few vehicles zipping past asking for a ride and finally found a suitable car in which all of us could squeeze in with baggage et all and we reached Bangalore by 2am. Meanwhile, the Hyundai service vehicle found my car with the driver in chennapatna and drained out all the Petrol from the tank and then filled in deisel and re started the car. Luck was on our side and so the car behaved well and started. The driver then drove the car back to Bangalore and reached home by 4am..
Hozzat for a start??